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这种绘画形态在西方被称为抽象而在中国却是心

2019-12-04 23:33

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《心象无常之玫瑰》布面壁画 贰零零玖 180X180cm

随意老子的大象无形,司空图的象外之象仍然克雷夫Bell的有象征的样式,都可以用来论述这种由于不知足于再次出现而从事于追求表象背后的真实性所发出的点染艺术形态。这在东面的文学背景是道与禅,而西方却是永世的真理。其目标都以为了揭露事物内在的,长久不改变的精气神儿。这种美术形态在净土被号称抽象而在中华夏儿女民共和国却是心象,意象,象外之象阿波的作品描绘语言极其,运用古典写实手法描述巨四之日观飘渺而又神秘兮兮的她和睦的天体。不管星空怎样变幻,阿波的著述有所二个醒目标天性那正是目的外之象的死活的言情、试图表现别的生机勃勃种真实。

Either Lao Zi's Invisible Power or Si Kongtu's Images beyond the Images or Clive Bell's Significant Form can be used to explain the passionate pursuit of the true meaning behind the artistic form of paintings, stemming from the dissatisfaction with appearance. In Eastern philosophy, it is Tao and Zen schools of thoughts, while in the West it is the eternal truth. Its purpose is to reveal the inner and permanent essence of things. This form of painting in the West is known as Abstract while in China, it is known as Mental Imagery, Imagery and Images beyond the Images. ArBos paintings are unique, describing the magnificent and mysterious universe of his own in a classical and realistic style. No matter what is the changing world, his paintings embody his pursuit of Images beyond the Images as well as a representation of another truth.

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关键词: 心象 却是 之象 无常